Corona's belated 1998 sophomore album fell short on their trademark bouyant Hi-NRG happy-slappers, but the prozac-pumping pulse of The Power of Love at least skims the surface of what should have been an everlasting disco orgy. Vocalist Sandy Chambers' shit-gritting breazy delivery determins to "be the bii-est" (Note: not the most bisexual) like no other faceless session singer before her, and is effortless like power steering. The face of Corona - half Brazillian Goddess, half human skyscraper - Olga Souza had to make do with a video budget cheaper than a shoplifted pregnancy test, yet still strikes her unmistakable poses whilst wearing a pink wig that would later be stollen by a young Britney Spears. The self-referencing title track, Walking On Music, surfs a more ecstatic wave.
The Power of Love
Walking On Music
The Power of Love video
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