
Above: the new single edit interrupts the sensual rhythm of the album version, but adds a dreamy disco sheen.
The italo-disco sound that Corona has always thrived in is still very much palpable, and the harder rave sounds on these new mixes are a worthy addition, but not quite on par with the stampede of slasa piano keys found on the Norman Price remix of the previous single Saturday.
I have no idea how this album has went down in Italy, which has always been Corona's most loyal market, as has South America where many a youtube clip can be found showcasing Souza's outrageous stage presence, Whitney Houston wig-ripping acapellas of I Will Always Love You (this has to be seen to be believed), and cackling radio interviews that are worth experiencing even if you don't speak Italian or Portguguese!